Author’s Note: Check out my initial thoughts on Mebius over here, if you haven’t already.
Our introduction into the second main arc of Mebius repeats the initial structure of the show, presenting many self-contained, episodic plots that further develop the characters we’ve already been introduced to. Since these are generally extensions of their original introductions, I’m not going to recap all of them here, because this article is covering 18 episodes, as opposed to the 11 from last time. And also because they echo similar themes to what we have seen before, and I don’t want to repeat myself too much. This article in turn will cover episodes 12-30, concluding with the major mid-season finale storyline.
As I mentioned, most of the single episodic plots at this point deal with the characters revisiting their original motivations when they first joined the team. By comparing where their characters are now after their first major test in defeating Bogal and redeeming Tsurugi, they take stock of their place on the GUYS Japan crew in a new context.
First, Marina reunites with her former racing manager on her day off. She finds she can push herself to take risks she never could as a motorcyclist, now that she fights to protect others from monstrous alien threats instead.
George has to deal with his stubborn pride and the isolation he feels due to his talents again, when the team tests a new, dangerous weapon prototype.
Teppei tries to convince his mom (and himself) that working with GUYS is worth the danger, rather than settling into medical school as was expected of him.
Ryu butts heads with a master engineer who emphasizes the importance of respecting the tradition and history of work others have laid down before him.
Konomi’s kind-hearted faith in the goodness of others is put to the test when she reunites with a childhood friend. Although she has fond memories of how he helped her as a kid, he tried to manipulate her in the present to gain fame for a tabloid scoop slandering the GUYS organization. But her unwavering willingness to see the best in others eventually breaks through his cynicism.
In addition to these individual plots, we also have focus episodes for team members who I only briefly discussed last time.
Toriyama has a comedic relief episode where his bumbling lack of leadership accidentally unleashes a monster from experimental GUYS technology.
In contrast, Captain Sakomizu gets an episode to show off his impressive resolve, not just as a leader, but as a pilot himself.
Even though both leaders stand at opposite ends of the competency spectrum, these two episodes illustrate effectively how they both care a lot for the team under their authority. Being able to fight with that team – and alongside Ultraman – is very important to them. Even though it may not always seem like it, they both take their jobs very seriously.
We’re also introduced to a new character within the GUYS team, Misaki Yuki, the Deputy Chief Inspector.
We saw her a few times in the first part of the series, but this section of the show features her in a more prominent capacity. In her focus episode, her unflappable smile and reliable representation helps to guide the team to victory when Captain Sakomizu is taken out by a monster attack.
The newly-dubbed Ultraman Hikari also has a few episodes to continue his development. Also, again echoing the structure of the first 11 episodes, the episodes which focus on re-introducing him also introduce the audience to the larger, overarching themes of this stretch of the series.
Now freed from his original vendetta against Bogal, Hikari is left a bit lost on how to work with Mebius to help protect the Earth alongside GUYS. After all, Mebius has been specifically charged by the other Ultras to protect Earth and to learn from the experience. Hikari doesn’t have that same explicit mission. This conflict, as he tries to figure out the purpose of his new lease on his life, is compounded by the appearance of Zamushar, an alien swordsman. He seeks to prove himself as the best swordsman in the galaxy by challenging Tsurugi, who gained a reputation during his quest for vengeance against Bogal. At the same time though, Zamushar pursues this duel with no thought for collateral damage on Earth around them.
Sound familiar? Here, Hikari is confronted with an apparition and embodiment of the same bloody-minded obsession that motivated him as Tsurugi.
Oh and before Zamushar landed on Earth, he was engaged with a sword duel on top of an asteroid hurtling into atmospheric re-entry that splits it into smithereens. Alien ronin warriors the size of buildings who smash up planetoids with their fights – that’s the kind of craziness humanity has to worry about in this setting!
But while Zamushar seeks out Tsurugi’s reputation to test himself against, he is actually defeated by a strike from Mebius’ sword, fighting him off in order to defend the main headquarters of GUYS. This creates a minute crack in Zamushar’s blade, which later shatters when he attempts to duel Hikari.
The strength that Mebius can show in defense of others is greater than the supposed “greatest” swordsman in the galaxy, and stronger than Hikari’s own accomplished skill. Understanding the source of our heroes’ true strength causes Zamushar to relent, but it also convinces Hikari himself to leave Earth – and his past with Ryu at GUYS – behind. After this episode, he leaves to go back to the legendary “Land of Light”, the home world of the Ultra race.
Hikari feels like he owes an irreconcilable debt based on the damage he caused as Tsurugi. But those connections he now feels to the members of the GUYS team don’t just give him guilt (as the loss of the planet Arb did), but also the strength to entrust them with Earth’s fate.
This two-episode arc, plus the one immediately following afterwards, introduces and establishes the driving theme for this segment of the series – trust.
The first arc showed how the characters’ strengths and weaknesses complement each other and allowed them to achieve more as a team than on their own. Now, we see how the characters continue to work with each other even when they make mistakes, or when familiarity with those flaws might create conflicts between them. As the challenges Mebius and the GUYS team face deepen, so do these tests of trust between them.
The first test of this theme is set off by Hikari’s own decision to trust Earth’s fate in the hands of Mebius and the GUYS team. Mebius, in his over-eagerness to make up for being responsible for protecting Earth without him, overcompensates. This upsets Ryu and the rest of the GUYS crew when Mebius curbstomps a monster before they can utilize their own plan to take it down.
It seems like unjustified outrage at first to Mirai, and maybe to the audience as well. After all, Earth is protected either way, isn’t it? But when framed against a smaller, more familiar backdrop of a childhood conflict at school, we see how this reflects the relationship between the Ultras and humanity in general.
A recurring phrase for the GUYS squad is “We’ll protect the Earth with our own hands.” (We’ll be hearing it a LOT going into the finale of the show too.) Humanity can’t grow and improve itself if it’s never allowed to take risks, and face challenges with its own strength. The Ultras protect the Earth to create a space where that development can happen, not just to see monsters defeated. Especially since, as was established early on, Mebius himself can’t defeat every enemy alone! To more effectively fight with humanity as allies, he needs to take a step back sometimes and let them grow through those challenges.
The next major episode arc also further illustrates Mirai’s relationship to humanity, but on a much more personal level this time.
The GUYS team picks up a signal from a cargo-bearing spaceship, the Arandas, thought to have been lost in an accident six months earlier. In hope of rescuing possible survivors, or recovering information about the circumstances of the wreck, they launch into space to investigate the pocket dimension where it was stranded.
Sakomizu’s warning here isn’t just for Mirai’s benefit, these two episodes destroyed me emotionally.
You see, the entire crew of the cargo freighter managed to miraculously escape from the wrecked ship, all except one member. The flashback in this episode shows the fate of this individual, Hiroto Ban, who sacrificed himself to save his father and the rest of the crew. It’s presented in a way that doesn’t just move the GUYS crew, as they watch the sole remaining testament to his heroism, but it makes Mirai break down as well.
Such a courageous human life lost is an awful tragedy for him to feel, right?
More specifically than that though, this selfless courage was the basis on which Mirai chose to pattern his human appearance and mission on Earth in the first place.
Before he even arrived at Earth in the first episode, Mebius was unable to save Hiroto from his lonely death in space, but decided to use his appearance to honor his memory during his own time on Earth. In this way, Hiroto’s life and sacrifice represent what Mirai sees as the most admirable qualities of humanity, and what he seeks to emulate himself. His chosen name even speaks to that hope, as “Mirai Hibino” literally means “future days” in Japanese.
These two episodes also explain a couple other points of the series, such as how Mirai became a member of GUYS so quickly after his initial appearance, and that Captain Sakomizu has been aware of his true identity the entire time.
Although if you hadn’t picked up the latter point by now, you just haven’t been paying attention.
This two-episode arc not only provides some much-needed (and incredibly well-crafted) background for Mirai/ Mebius, but it also opens up a new dimension to the show as we rapidly approach the mid-season climax. That is, how humanity and the Earth is viewed by other aliens at large. The episode immediately following is another one that destroyed me when I was watching (tissues in hand this time). In addition to telling a very heartfelt, personal story though, it’s effective because it also is the first time in this series we see an alien other than an Ultraman trying to protect humanity.
When a memory-eating monster starts threatening large sections of a city, Marina finds herself unwittingly drawn into fighting back against it, within her own memories of childhood. She’s helped along (although she doesn’t know it at first) by an alien “Angel” named Tobi. He’s determined to stop it from destroying his adopted home of Earth, as it was also responsible for destroying his own world first.
This theme of how humanity fits in with the wider scope of alien life within the galaxy is developed more prominently following the mid-season finale. But even considering its premature placement here, this episode is one of my favorites in the whole series. It has a pensive, almost dream-like style of progression, and delivers on some pretty severe emotional punches, even after coming off of the more plot-specific tearjerkers from the last two-episode arc.
After this, the brakes on the plot get disabled entirely and we move full speed ahead into the main challenge, one that will test the bonds of trust between the entire GUYS team and the Ultras who have sworn to protect the Earth.
Well, okay, fine there is one speed bump in the middle where we get a clip show (albeit, a pretty fun one). It’s framed by the GUYS team revisiting data on the monsters they have faced so far, in order to determine which would make good additions to their roster of Maquette Monsters.
I’m told by people who are much more familiar with the series, that this episode and the fight it features against a digital Zetton is a call-back to the finale of the original Ultraman series. I’ll take their word for it, since I haven’t seen that series yet myself.
But aside from that, the main threat which develops in this section of the series, after the initial episodic plots, is an alien race that…
Actually, that’s a bad description. The main threat to Earth now is called “Yapool” and it’s essentially the animated, disembodied hatred of a dead extra-dimensional race that seeks to conquer the Earth. In order to do exactly that, they (he? It?? ) summon “Super Beasts” or weaponized monsters to attack GUYS and Mebius. In addition to just creating super-strong, stompy kaiju aliens though, they also can possess other human beings. This leads to a frighteningly tense episode where Yapool possesses Ryu. With him under their control, Yapool attempts to turn the rest of the team against Mirai, while Sakomizu is away from the base on official business.
With the rest of the crew, apart from Sakomizu and Misaki, still unaware of Mirai’s identity as Mebius, Yapool thinks it can turn the suspicions of the team onto him, to drive him out and weaken him without the support of his teammates. Luckily, the trust we’ve seen built up to this point is strong enough, and Yapool fails to break those bonds between the team members.
Meanwhile we see the other Ultras worriedly predict that Yapool’s threat, as well as another unspecified “final battle”, may be too much for the still-inexperienced Mebius to overcome, and order him to return back from his mission on Earth.
Mirai refuses to back down from the fight against the robot Imperiser when it arrives on Earth. In the same battle, shockingly, he also reveals himself as Mebius. It’s very clear from these scenes that Mebius is troubled by the concerns of his superiors, and fully expects to die during this encounter. He’s trusted them by fighting alongside the GUYS Japan team all this time, and now entrusts them with what’s essentially his last will and testament.
These two episodes are a culmination of the challenges we’ve seen the team overcome throughout the series so far. We’ve seen the GUYS crew and Mirai struggle, fail, grow stronger as a result of that experience, and come to understand and trust each other within the context of the team.
But really, through all these challenges, they’ve become something more akin to family.
Instead of being fearful, or suspicious when you learn that your weird, naïve teammate is actually a super-powerful alien warrior from a nebula several million light years away, they know Mirai through his actions and his connection to the team. Just like with Tobi in the episode I described above, Mebius may not be human, but he shares the best aspects of humanity. That shared nature then allows the GUYS crew to trust him and fight along his side. He truly is one of them, even if he’s also a fifty-meter tall silver alien who can shoot lasers out of his hands.
As we find out from Mirai, that shared nature is actually why the Ultras as a whole race care so much about Earth too.
I think this is a really interesting detail of the setting, and it ties back heavily to themes presented in the episodic plots I noted earlier in this article. Those episodes show that Ultras don’t safeguard the peace of Earth and humanity to be omnipotent saviors who stop all bad things from happening. Instead, they fight to allow humanity the chance to preserve the ideals they share, even against a cruel universe that often seeks to destroy them. In return, the interaction with humanity as they fight together serves as guidance to help properly reaffirm and orient those ideals.
They learn just as much from us, from serving in their roles as heroes, as Earth benefits from their example and assistance.
In this mid-season finale, even Mebius’ own mentor, Ultraman Taro, comes to acknowledge how strong he’s become as a result of the connection he has developed with the GUYS team.
Stronger, quite literally, when those bonds also gives him a massive power-up allowing him to explode the enemy robot into cinders with an impressive display of pyrotechnics. Fittingly, to visually represent that strength, this power-up form (Burning Brave form) uses the same flame design the team painted on their strike ship in the second episode! The same symbol which represents the trust Serizawa put in Ryu, and the team put in each other from the start of their work, now is embodied in Mebius’ power as well.
In this mid-season finale, instead of breaking under the challenges that they faced against Yapool, Mebius and the GUYS crew prove that they are strong enough to protect Earth. They earn the trust that humanity – and the Ultras! – have given them all to stand up against future threats as well.
A digression, if you would indulge me.
One reason I am so fond of the DC comics universe is that it acknowledges it is a fictional setting, and thus based on narrative laws.
That might sound odd, but in other words, elements like heroic spirit, teamwork, love, hope, etc, are all the most powerful, and most fundamental forces of the universe rather than empirical, physical laws. Some people prefer harder science fiction, but I’m eternally a sucker for good heroic narratives, so a universe literally powered by those ideals will always grab my attention more than a science lecture on quantum physics. Science is cool, but stories that speak to the heart are more memorable than ones that only reach the rational head.
In watching Mebius, I became fascinated with the setting it embeds itself into, mostly because I see a lot of those same elements in its world-building. The power of Ultraman is ultimately one derived from the purity and strength of their ideals, and passed on to those who believe in them. In my first article, I explained how the teamwork of the GUYS crew allowed them to become stronger in a figurative sense; it lets them construct a plan that accomplishes more good than they could achieve if they were acting alone. Here, we see the characters become stronger in a completely literal sense. It’s simply the GUYS crew’s faith in Mebius that allows him to gain his new upgrade, in turn allowing him to successfully triumph over their most deadly challenge yet.
I mentioned in a previous Ex-Aid recap that I love the concept of fractals, and compared the idea of those repeating shapes to the philosophical concept of Platonic Forms. In similar ways, by zooming in, or out in scope in a narrative, we can see the same shape of these metaphysical principles play out on different levels. We see it here too, with how the original theme of teamwork becomes magnified as we move to larger scopes of threats against the Earth. Not to mention seeing the broader scope of humanity and the Earth’s place within the universe.
These repeating elements don’t just recall any kind of fractal pattern though. Actually, we can more accurately describe the narrative structure of Ultraman Mebius by comparing it to his own namesake – a moebius strip.
Regardless of how far we travel away from the start, we come back to the same themes, the same heroic ideals which drove all these characters to put aside their own personal concerns to help others in the pilot episode. Even though the monsters they face become stronger, and the threats against the Earth become more dire, they still haven’t lost sight of that original motivation. That is what allows them all to never give up their fight, even against those increasingly dire odds.
I was only half-joking in the conclusion of my first article about how I was going to love the rest of the 39 episodes of Mebius. But the sheer emotional weight of the best episodes, combined with the continued excellence in cinematography, soundtrack work – not to mention the props and special effects – has really created an unparalleled excitement the deeper I get into the series. It’s remarkable how snugly all the major themes nest within each other, how each new challenge and plot arc builds on what came before to further develop those most basic elements of the characters and story. As the show spirals outwards in scale – and more intimately inwards in focus – I’m wholly invested for the ride.
Don’t be fooled by the massive word count for this article, it was remarkably difficult to sit down and write this post, to summarize the emotional highs and heart-wrenching lows Mebius delivers on while building to the mid-season finale. Echoing what I said in my first write-up, I cannot recommend this series enough for anyone interested.
Go watch Mebius yourself before I spoil the finale for you.